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Kamis, 22 September 2016

Get Free Ebook , by Gordon Laing Gordon Laing

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Product details

File Size: 69479 KB

Print Length: 208 pages

Publisher: Ilex Press (March 9, 2017)

Publication Date: March 9, 2017

Sold by: Hachette Book Group

Language: English

ASIN: B07288DRYZ

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Amazon Best Sellers Rank:

#151,986 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Gordon Laing is well-known for his highly detailed camera reviews, and for his witty podcasts, which also evaluate camera gear. It's good to see a collection of his photographs. All the shots are taken with mirrorless cameras, and the images are unedited JPEGs. His point, made well by the images and text, is that highly excellent photographic images can be produced without post-processing of RAW files.Do note that Mr. Laing studiously chooses which film simulations he applies in camera, and may also dial in adjustments to contrast or saturation in the camera's JPEG parameters before shooting.. One can think of this technique as pre-processing, as opposed to post-processing. Or, one could simply consider it to be skillful photography. His approach with JPEGS is not simply to put the camera on automatic, then point and shoot JPEGs without the photographer's input. Instead, he employs a thinking photographer's workflow to produce a beautiful JPEG in camera.Such a technique, while using the sometimes disdained JPEG, encourages the photographer to slow down. He requires knowledgeable adjustments to the exposure and JPEG parameters before shooting, instead of shooting RAW and pushing sliders in post-processing.The book is well-printed, the images are beautiful, and it's a "two thumbs up" purchase for the photo enthusiast.

When I briefly reviewed the books description, I thought the book would provide details about various jpeg settings, benefits, use of such in different environments. That is, when and how to use contrast, saturation, sharpness for in camera jpegs. I also thought the book would discuss shooting raw, and then applying various jpeg adjustments in camera. Neither of these are addressed. Rather, this book is a compilation of dozens of travel photos, indicating the basic triangle of shutter, f stop and iso, along with pre defined jpeg options (Velvia, chrome, standard), with little discussion of why the jpeg process was chosen.I really like Gordon, but I am hoping for a sequel. This book spends much more time discussing the geography, weather conditions, building history, etc., with too little discussion on why he chose the specific jpeg conversion. It would have been nice to see less pictures, and instead, showing a picture photographed and converted to jpeg with mild, medium, strong contrast, sharpness, saturation, and a good explanation of those controls, as well as when, why to utilize such adjustments.

Gordon Laing, most notable to most photographers as the genius camera-reviewer behind cameralabs.com, has put together a diminutive coffee table book that is both a collection of outstanding images as well as an inspiring look at just what a knowledgeable photographer can do sans software. Appropriately titled In Camera, Laing explores time-saving techniques of shooting high quality jpgs rather than relying on hours of post production to achieve desired results.First, the coffee-table aspect of the book. Laing is a world traveler and presents in this collection images from around the world. Most of the one hundred shots come with an introduction to the place of origin and a bit of history. If this book were nothing more than that, Laing's travels and musings would be well worth the purchase- but we have yet to enjoy the elements designed for his main audience- photographers.Following his brief introductions to the subject, Laing goes into tremendous detail about how each image was shot. Unlike many texts that suggest that the artist approached the shoot with complete premeditation and control, Laing steps into his environment and begins evaluating the variables that will create different images. He clearly spends hours at many of his shoots, changing angles, settings and every imaginable variable, often choosing the best image well after the shoot. Laing writes all about the process of photography, only addressing the product when the process in completed. This is the genius of his book- it's about methodology, premeditated trial-and-error- no, not error, trial-and thoughtful reflection of results. You don't follow a step-by-step algorithm for a great shot; rather, you work the image with your hardware, the camera's software options, and your own creativity.Laing will likely affect you with his style and techniques. Two that most impressed me were his use of monochromatic images and his long-exposure shooting.His use of grayscale was fascinating not solely because of his final images, but for the reasons that he chooses to use grayscale in the first place. A better understanding of what sort of subjects and shooting situations suggest grayscale shooting was a great takeaway of this book. And though it is obvious that long exposure times are required for night shots and smoothing moving water of waterfalls, Laing's use of this technique extends far beyond these obvious applications and produces images that are stunningly beautiful and unique.If there is a criticism to offer of this book, it's about the layout. There is no logical sequence in its presentation, which lends the coffee-table analogy to its format- this is a book that you can pick up and browse in parts. But while not a textbook, this is a book from which to learn, and there is plenty of material from which to glean information. The random nature of the presentation thus necessitates a lot of reiteration- an obvious example are the many descriptions of the ND filters. While grouping of common topics could have cut down on repetition and also created a concentrated section from which he could build in complexity, it would also have felt more "textbookish", and perhaps Laing was looking to avoid that feel.In Camera is a book that will inspire as well as train, and for non-photographers, it will present beautiful images and brief stories that can be enjoyed by all. Superb and beautiful book- and I'm looking forward to his next one!

Mr. Laing shows how you can make use of the advanced features of recent enthusiast cameras to do what use to require a computer. Features like in-camera raw processing, HDR, and shooting B&W with a filter effect while retaining the ability to have a color version, long exposure times using your cell phone, etc. This book could be subtitled long exposure photography. Mr. Laing favors shots with the sky and a body of water (even a puddle can help a picture) but he likes to smooth both out for an ethereal effect. Long exposures accomplish that in camera. All the details you need to know are provided in the discussion of each photo. It is also a travel photography and you will see a large sample of interesting places in Europe and major US cities (I forgot the Slot Canyon in Arizona).The EXIF data for each picture is the upper left. Up front, there is a thumbnail picture index.Most pictures were shot with a wide-angle lens. I guess it helps to get in close in front of tourists and passing vehicles and other unwanted details.

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Senin, 19 September 2016

Free PDF Deepwater Horizon: A Systems Analysis of the Macondo Disaster, by Earl Boebert

Free PDF Deepwater Horizon: A Systems Analysis of the Macondo Disaster, by Earl Boebert

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Deepwater Horizon: A Systems Analysis of the Macondo Disaster, by Earl Boebert

Deepwater Horizon: A Systems Analysis of the Macondo Disaster, by Earl Boebert


Deepwater Horizon: A Systems Analysis of the Macondo Disaster, by Earl Boebert


Free PDF Deepwater Horizon: A Systems Analysis of the Macondo Disaster, by Earl Boebert

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Deepwater Horizon: A Systems Analysis of the Macondo Disaster, by Earl Boebert

Review

“This book offers an extremely methodical approach to the BP Deepwater Horizon oil spill. It is written in a concise, no-nonsense style, and couched in terms that a layman can understand. It is a highly original work with a well-structured argument, providing insight into the BP oil spill unavailable elsewhere. A thoroughly recommended read not only for oilfield professionals, but for all concerned parties.”―Alastair R. Fleck, Shell Global Solutions“Deepwater Horizon: A Systems Analysis of the Macondo Disaster shines a spotlight on the very high-risk situations that demand a consistent systems approach at all levels and from all parties. It demonstrates that―however popular or trendy they are today―streamlined, agile approaches don’t work in all situations. This book will be of value to business and engineering audiences, as well as anyone interested in technology policy.”―Marjory S. Blumenthal, technology policy expert“Deepwater Horizon is the definitive work on an event that not only had enormous ecological repercussions, but which also shook the oil industry to its foundations. Meticulously researched, the explanation of the disaster will be comprehensible to the interested layman, while numerous annotations add depth and detail for academics and professionals. The authors’ purpose is to analyze the event, detail the lessons learned, and thereby make everyone safer. The book fulfills the first two aims admirably, and the rest is up to us.”―Andrew Kay, independent oilfield consultant“Modern organization theory emphasizes the central role that organizational culture and structure play in outcomes, and though this book is not on organization theory per se, it is destined to be a classic case study in the field. A great deal of safety analysis focuses on searches for the root cause of accidents and disasters, but the Deepwater Horizon incident demonstrates that the causality of some disasters has a fundamentally multifactor nature. This book should be read by anyone concerned with safety of large complex systems.”―Herb Lin, Stanford University“Readers wanting to know just what happened and why in the Deepwater Horizon disaster will never find a better book.”―Steve Donoghue, Open Letters Monthly“Two senior systems engineers offer a comprehensive account of BP’s Deepwater Horizon oil spill, where escaping gas and oil destroyed the rig, killing 11, injuring dozens and creating the worst human-made ecological disaster ever in the Gulf of Mexico. The book sifts through the evidence, challenging the common explanation that the crew, under pressure to cut costs, made mistakes compounded by a safety device failure. Instead, individually innocuous corporate and engineering decisions combined to create the disaster. The complex interactions of technology, people and procedures involved in offshore drilling illustrate a systems approach that yields a better understanding of how to prevent similar disasters in the future.”―ISE Magazine“Most accounts of the Deepwater Horizon disaster dwell on the drama of the rig’s last hours, as the crew struggled to cope with the well blowout and then fought to survive. Those events are also part of Boebert and Blossom’s story, but the scope of their narrative is broader. Much of the action takes place deep underground, where drilling technology meets the uncertainties of geology, or else miles away in BP’s Houston offices. Their approach is analytic rather than dramatic. Theirs is the account for readers who want to understand how such disasters come about and what strategies might have the best chance of preventing more of them.”―Brian Hayes, American Scientist

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About the Author

Earl Boebert is a retired Senior Scientist at the Sandia National Laboratories.James M. Blossom gained his engineering experience at Los Alamos National Laboratory and the General Electric Corporation.Peter G. Neumann is Principal Scientist in the Computer Science Laboratory at SRI International.

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Product details

Hardcover: 304 pages

Publisher: Harvard University Press; 1st edition edition (September 6, 2016)

Language: English

ISBN-10: 9780674545236

ISBN-13: 978-0674545236

ASIN: 0674545230

Product Dimensions:

6.2 x 1 x 9.3 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#1,063,172 in Books (See Top 100 in Books)

Confronted with the snarl of conflicting, contradictory and missing information that is the Deepwater Horizon, Boebert and Blossom wade in with sieves and scales, and after much sorting and weighing, make as much sense of it as anyone is ever likely to.As you read Deepwater Horizon, many accounts written as the disaster was unfolding or in its immediate aftermath suddenly snap into focus, their implications finally clear. 'My God,' you find yourself saying again and again, 'so that is what that was all about.'Boebert and Blossom lay out their terms in an introductory chapter. They are going to discuss the Deepwater Horizon as a "system," they say, a system so complex that no one individual or entity truly understood it. They will not be looking for a root cause of the disaster. Rather, they say, the blowout was a result of a combination of decisions, actions and component attributes rather than the result of a single act or failure.Moreover, they are going to be taking a "scholarly" rather than a "judicial" approach to the evidence, since their goal is to understand, rather than to place blame. For this reason, none of the actors is named, even when they are as easily identifiable as the chief executive of British Petroleum at the time of the disaster.Remarkably--given these and other narrative (or anti-narrative) decisions--Deepwater Horizon is an engaging and ultimately gripping read, at first illuminating and then impossible to put it down, even if you do have to go to work the next day.To me one of the most fascinating elements of this story is how little information the crew on the rig actually had about what was happening more than a mile beneath them at the bottom of a hole in the ocean floor. The authors explain that, as far as physics is concerned, the well is essentially a big U-shaped tube stuffed with heavy drilling mud to prevent lighter hydrocarbons from rising to the surface prematurely. The crew monitored the hidden state of the well by comparing the amount of mud they were pushing down to the amount coming back up.So mud is the ground truth, the ultimate finger on the pulse of the well. But during the procedure that led to the blowout--a crucial test of the integrity of the cement seal at the bottom of the well--the mud loggers couldn't, or thought they couldn't, monitor the volume of mud in the storage pits because other crew members were moving the mud from storage pit to pit before transferring it overboard.What's worse, nobody did the predictive well-control calculations that would have showed the procedure they were undertaking would bring the well close to the edge; the point where the push of the mud would be unable to oppose the shove of the hydrocarbons. Nobody, in other words, was saying I'm not going to do something I don't understand, and everyone was just following orders in the belief that someone else understood.Boebert and Blossom are right to insist are no heroes and no villains in this tragedy. Nobody quit his job to prevent the disaster but nobody acted maliciously either. But everyone who has ever worked in a large organization will recognize two 'types' in the story: those who know what they are doing and those who don't.The person you hope is sitting next to you is a senior guy with a lot of experience, "the ability to draw conclusions from incomplete and conflicting information" and "the moral fiber to act." A few of them turn up in Deepwater Horizon, asking inconvenient questions and refusing to proceed until conditions are met (we've all been in that meeting, silently cheering them on). But the system rolls over them: They are bypassed, or don't have the authority, or are given the day off.In any case they are vastly outnumbered by the other guys, the ones who don't care or don't care enough, who are just doing a job, just trying to get by. There's the vendor's rep who was known for 'just in time delivery' of test results, thereby depriving other people of the time to think them through; or the guy who created a design document consisting of lots of canned output by pushing the "generate report" button on the computer. We've all worked with people like this. silently fixed the broken things they leave in their wakes and fervently hoped never to work with them again.What matters in the end, however, what saves the reader and comforts her, despite her smoldering anger at the stupidity of it all, is the narrative voice: the calm, thorough, persistent, intelligent voice of the authors and their unstated code of respect for competence, for intellectual honesty, and for taking responsibility.To some extent what happened on the Deepwater Horizon was technology specific. For a science writer like me, one of the pleasures of this book is clarity of the descriptions of deep-water drilling technology, the many technical illustrations, and the appendices on topics such as cementing mechanisms or low returns during displacement. It's not really possible to understand what happened without getting into the details.On the other hand, the Deepwater Horizon is also a type, or exemplar, of the many sporadically lethal "systems" that are part of our lives today-- such as the U.S. heath-care system, the Internet, the U.S. government, and the global climate system--all of which we seem hell-bent on running close to the edge.We would all be better off is more of us thought, when we were under pressure to go forward assuming the best, that one day someone might write a book like this one about what we were doing.

Accidents in complex systems often have root causes that stem from organizational or even cultural problems. This analysis of the Deepwater Horizon disaster steps back to examine the context for this "emergent event". The details of rig operations and onboard decision-making ring true from my limited experiences, but more importantly, the generalities of disorganization, miscommunication, and human psychology are applicable to systems far beyond the oil industry.

While the book itself is commendable, the KINDLE presentation is awkward. The only suggestion for the authors is that a page or so with the frequently used abbreviations would be helpful. Otherwise the book was quite well done.

I'm not an engineer, but have some oil and gas litigation background. Ordered this after watching the film. With a few reread sections and occasional reference to the web, I was able to get through it. Well sourced with many further references if you wish to dive deeper

Best technical Explanation of what went on, & excellent description of oil well construction that I have found.I would recommend this book to all who want to gain a Knowledge of oil wells, & deep Ocean exploration.This is an all in one book.Louie

The authors of this book do a fine job of explaining exactly what went wrong with the Deepwater Horizon. It's easy to read and understand, and I found it to be fascinating. They apply a thorough, rigorous approach to analysing every single factor that led to the Macondo well blowout and subsequent destruction of the Deepwater Horizon rig. As with most things on life, things were not as simple as they seemed, and the causes of the accident were numerous. I thought the authors did a really fantastic job and the book was worth the high price. I read it on the Kindle and the diagrams were easily readable.

Not an entertaining book. It read like a documentary. Mom

I'm used to reading science fiction and fantasy, so this book is reading more like a text book, at least to me. I know the author is the reason for the purchase. It is interesting reading, some of the facts mentioned, I don't recall being mentioned by the news during the actual event.

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Minggu, 18 September 2016

Ebook HAMMER!: Making Movies Out of Sex and Life, by Barbara Hammer

Ebook HAMMER!: Making Movies Out of Sex and Life, by Barbara Hammer

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HAMMER!: Making Movies Out of Sex and Life, by Barbara Hammer

HAMMER!: Making Movies Out of Sex and Life, by Barbara Hammer


HAMMER!: Making Movies Out of Sex and Life, by Barbara Hammer


Ebook HAMMER!: Making Movies Out of Sex and Life, by Barbara Hammer

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HAMMER!: Making Movies Out of Sex and Life, by Barbara Hammer

Review

"Queer, feminist experimental-filmmaking pioneer Barbara Hammer's autobiography is one in the truest sense—it reveals her personality and her philosophies on art and, at the same time, becomes a key part of her legacy." —Library Journal"What an amazingly inspirational book, filled with powerful stories and beautiful images. I truly love and recommend it.” —Sadie Benning, artist“Barbara Hammer’s genius is an erotic genius, one rich in intuitive intelligence. HAMMER! reveals a spirit that is at once youthful and worldly, full of conviction, and often optimistic, bold, ravenous, and celebratory.” —Cecilia Dougherty, artist“A brilliant and shimmering feast of art and activism. Barbara’s fearless queer intelligence illuminates every page.” —John Greyson, filmmaker“Now the gift of Hammer’s sounds and images is matched by that of her words. Beautifully designed and illustrated, HAMMER! is a striking book, from its title to its impact.” —Patricia White, author of Uninvited: Classical Hollywood Cinema and Lesbian Representability“A candid and colorful memoir, HAMMER! offers valuable primary source material and original feminist film theory by a pioneer of avant-garde American cinema.” —Livia Bloom, film curator“Barbara Hammer is a true cinematic pioneer; her tremendous body of work continues to inspire audiences and artists alike.” —Jenni Olson, filmmaker"Queer, feminist experimental-filmmaking pioneer Barbara Hammer's autobiography is one in the truest sense―it reveals her personality and her philosophies on art and, at the same time, becomes a key part of her legacy." ―Library Journal"What an amazingly inspirational book, filled with powerful stories and beautiful images. I truly love and recommend it.” ―Sadie Benning, artist “Barbara Hammer’s genius is an erotic genius, one rich in intuitive intelligence. HAMMER! reveals a spirit that is at once youthful and worldly, full of conviction, and often optimistic, bold, ravenous, and celebratory.” ―Cecilia Dougherty, artist“A brilliant and shimmering feast of art and activism. Barbara’s fearless queer intelligence illuminates every page.” ―John Greyson, filmmaker“Now the gift of Hammer’s sounds and images is matched by that of her words. Beautifully designed and illustrated, HAMMER! is a striking book, from its title to its impact.” ―Patricia White, author of Uninvited: Classical Hollywood Cinema and Lesbian Representability“A candid and colorful memoir, HAMMER! offers valuable primary source material and original feminist film theory by a pioneer of avant-garde American cinema.” ―Livia Bloom, film curator“Barbara Hammer is a true cinematic pioneer; her tremendous body of work continues to inspire audiences and artists alike.” ―Jenni Olson, filmmaker

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About the Author

Barbara Hammer has made over 80 films over the past 40 years. Her films have been selected for the Whitney Museum of American Art biennials, Sundance Film Festival, Madrid International Women's Film Festival, and WACK!, an exhibit that has traveled from LA to DC, NYC, and Vancouver. A retrospective screening of her work will be at MoMA in spring 2010.

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Product details

Paperback: 320 pages

Publisher: The Feminist Press at CUNY (March 1, 2010)

Language: English

ISBN-10: 1558616128

ISBN-13: 978-1558616127

Product Dimensions:

6 x 1 x 8.5 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#379,452 in Books (See Top 100 in Books)

An extraordinairy autobiography! Decade by decade of a productive and mind blowing life. Such honesty and refreshing philosophy. An out and proud reinvented radical dyke bringing lesbian sex and life into a mind altering realm. Unprecedented and interactive. A treasure for eyes, body, mind and spirit.

Bold, beautiful and startling. A true iconoclast and pioneer in her field.

I went to hear Barbara Hammer read from HAMMER!: Making Movies Out of Sex and Life at the KGB bar last night, and I've been buzzing with inspiration ever since.I was surprised by my own crying when she read, but I was so overwhelmed by the power of hearing what felt like my own thoughts and feelings out loud. As a woman artisit/filmmaker, she gave me permission for my ambition, for wanting to do what I do without "choosing." And while I wish I didn't need permission, that I was strong and brave all the time, It is true I still crave and look for "founding mothers for the visual image maker" as she says in the book.I feel lucky that she wrote this book,that she lives her life and makes her films so full of warmth and openness and generosity.The second dedication of the book is to women artists everywhere, and the book truly is the most valuable gift to a young artist.I recommend it wholly, as I continue to run off of this feeling of being so hopeful and proud.Thank you Barbara.

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Kamis, 15 September 2016

Free Ebook , by Bioware

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Product details

File Size: 119000 KB

Print Length: 184 pages

Publisher: Dark Horse Books (March 21, 2017)

Publication Date: March 21, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01N133CDT

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Amazon Best Sellers Rank:

#505,913 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This IS an art book, and whether or not you appreciated the game is irrelevant. This art book is gorgeous and the colors are amazing.It possesses what I EXPECT from an art book: concept art. Not as much as I'd like, as I like to see the entire development of a character, but it does show the development. For instance, the character concept for Cora in the book is dramatically different than what made it into the final game.Where this book also shines is the over-all development for the Kett is really shown well here. A few pages are totally dedicated to the development of Kett and Angara.It possesses concept art for armor as well. Not much, but it does explain the artists' thinking when planning out the armor.This brings me to another major thing I want in every art book: artist commentary. This book has it, and that's of vital importance to me, personally.If you collect art books or just like to see the development process, this book is a must-have.

I should have g otten into the art work part a long time ago. Great book, very detailed and will be sending it as a gift to my siblings who are artists.

Gorgeous. Love Mass Effect and really enjoying the new installment. Feels like home. The artwork and detail in this book is very worth it for any collector!

I absolutely love the art inside the book. I love the cover (front and back) as well. I enjoyed looking through the concept art seeing how certain characters and alien races developed. The commentary was also insightful.However, I'm not sure what happened during the shipping process. I bought new, and when it arrived, in a box, the plastic seal was broken and several pages have been bent and even slightly ripped in a small part of the back of the book. It's a minor issue and has nothing to do with the contents of the book.

This is a grate book for anyone looking to add syfi art to there collection.That being said It may have limited references for those who don't understand how to paint digitally granted to the average costumer Its a grand collection of environmental art. But for people who like the weapons,tools and very ruff sketch work that goes into making these wonders is only a small part of the book. Most of the work is full painted work not line work or step by step making of pics with few exceptions.what you do get is multiple pages of fully painted landscapes,outfits and even small notes from the developers giving you nuggets of incite into the works on page from waterfalls to icecaps to ash covered sky's atop rivers of lava this book will Inspire anyone with a eye for art.The book itself is a hard cover with glossed pages and is ruffly as thick as a Nintendo 3ds xl so your money is not going to waste if you chose to pick up a copy. Just be warned if you were looking for drawing references this might not have everything your hopping for.

The game is great but I felt like there were times when it was stuffed full of detail that I missed, so I'm thrilled to have this book!! Filled with lots of great concept art, character designs, and developer commentary. Great quality printing and binding too. As an artist it excites me to see people's hard work, and as a bonus, I have a fabulous source for future inspiration.

-Very good reference for aspiring/hobbyist artists/video game artists or character designers, especially if weak in the sci-fi department.-Won't make you a Bungie artist. (Bungie games are bootyful.)

Seeing the evolution of the concept art is worth the price, however as per my headline there are few areas that do not have enough content. With all of the various firearms new and old, it is surprising that there is only one page (two if you count melee weapons) of weapons. For the book's faults, I would still suggest this to fans of Mass Effect and of sci-fi art at large.

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