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Senin, 22 Januari 2018

Ebook , by William Manchester

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, by William Manchester

Product details

File Size: 112482 KB

Print Length: 913 pages

Page Numbers Source ISBN: 0316544906

Publisher: Little, Brown and Company (October 31, 2017)

Publication Date: October 31, 2017

Language: English

ASIN: B075WRSKWF

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The late William Manchester, master of twentieth century popular history, made his reputation with this book, published in 1968. There will never be another book on the Krupp family like it, and not just because it’s so long, nearly half a million words and a thousand pages. It is also because the Krupps are largely forgotten today, fifty years later—and because Manchester personally talked to nearly everyone in, and connected to, the Krupp family at its height, and those people are all dead. Just as dead is the firm itself, since the sole proprietorship that was “Krupp” no longer exists in that form or has any connection to the Krupp family. Sic transit gloria mundi, if “gloria” is the right word.Manchester’s goal in writing this book was to combine an account of Germany’s military and industrial rise with a longitudinal view of the Krupp family. The traceable history of the Krupp family began in 1587, with the arrival of Arndt Krupp in Essen, the heart of Germany’s Ruhr region. The five generations after Arndt Krupp receive only skeletal mention in a handful of pages; the only family head who rates even a minor mention, at least in Manchester’s eyes, is Anton Krupp, who was recorded as selling musket barrels during the Thirty Years War, around 1640. Still, the family was very prominent and successful in Essen, with the usual ups and downs of early modern merchants, and by the late 1700s had moved into iron and coal. But the book really begins with the accession of Friedrich Krupp, nineteen years old, as manager of the works owned by his grandmother, in 1807. Friedrich died in 1826, and there were only four more heads thereafter. Alfred, Friedrich’s son, ran the firm until 1887. Friedrich Alfred ran it until 1902. His daughter, Bertha, inherited the firm (he had no sons), but the firm was headed by her husband, Gustav; they ran the firm until the 1940s. Their son, Alfried, ran the firm until 1967. And his son, called Arndt just as had been the first Krupp, renounced his inheritance without reluctance—and so the firm passed, due to insolvency, out of family hands in 1967, just before Alfried’s death.The first Friedrich set the tone for the family’s 150 years of effort, focusing on cast steel of the highest quality. Making steel was then some combination of art, alchemy, and science, and the English dominated the high-end steel market. Friedrich had some success in manufacturing excellent steel on small scale, but he had constant struggles with manufacturing and creditors, and died in his thirties. Still, he was credited with being the foundation of the family’s later enormous fortune, and the hut in which he lived and died was preserved as monument inside the gigantic forest of factories that made up the Krupp works. (It was destroyed in World War II, but was rebuilt and stands today.) But his son, Alfred, an eccentric, monomaniacal genius, was the real making of the family.Alfred’s nickname, the “Cannon King,” gives away what he was most famous for. Actually, it was railroad wheels that made him more money than cannon, at least at first. In fact, the famous interlinked three-ring logo of the Krupp firm signifies railroad wheels, not cannon muzzles. But Alfred began with almost nothing—his father’s decayed shop and hut, a few workers, and no money. And he was only fourteen years old. However, he was a workaholic perfectionist, and scraping together money and workers, he focused on high-quality steel rollers, and then he went about selling them and other products near and far, with a mixture of bombast and bravado. Really, he exemplified what I have always said a starting entrepreneur must do—say “yes” to every potential customer inquiry, and figure out how to accomplish it later. Alfred, for example, assured the Prussian government he could produce a million pounds of cast steel a year, which was totally ludicrous. And then he traveled to France and England, making similar promises (and awkwardly spying on the English, who were not fooled and didn’t care anyway, since they would have been happy to show him what they were doing). For decades his business went up and down, but on an upward trajectory—especially after he turned to weapons for the first time, in 1844, though for reasons that are completely unknown.Weapons, primarily artillery of various types, made the Krupps, although that was also not an easy path. As with any military procurement, between sclerosis and corruption, it was hard to get the government interested. It took many years for the Prussian government to be willing to even test Krupp weapons, despite Alfred’s constant efforts. He sold guns to any other government who would buy, primarily the English and Russians, before the Prussians bought in. And he was always, always, improving his weapons, both in quality and in capability (and making improved armor that could only be penetrated by his improved cannon). It helped that all the Krupp patriarchs were practicing engineers, deeply involved in the design and construction of implements, whether martial or peaceful, and they were only too willing to re-invest every penny of profit in continuing the growth of the business. Finally, the Prussian government also began to buy his guns, and Alfred Krupp became rich—among other expenditures, in 1870, not coincidentally the year of the Franco-Prussian War, he built a 270-room mansion in Essen.Not that Alfred Krupp was a happy man. In fact, none of the Krupps seem to have been happy. They were all wholly dedicated to the firm, and to its continued existence as a sole proprietorship. Their relationships with their wives were rarely good (except for Gustav and Bertha); their relationships with siblings not much better, and not helped by the combination of tradition and law which dictated that the entire firm was passed to a sole heir, leaving nothing for the others. Moreover, the Krupp family heads were subject to various phobia-type mental debilities and personality quirks, and rarely seemed to be enjoying themselves, even amidst all their wealth. Still, as Prussia waxed, so did the Krupps. Alfred died in 1887, leaving a detailed, demanding will and testament to which his successors hewed closely until the demise of the firm itself. Alfred’s son, Friedrich Alfred, with whom he had a distant relationship (he had lived primarily with his mother, who had separated from her husband), succeeded to the firm’s ownership. Friedrich Alfred wasn’t all that interested in steel, but he rose to the occasion, educating himself on steelmaking and turning himself into a sales ambassador for the firm. By the peak of his power, he had 127 acres of factories under roof and manufactured 320,000 tons of the finest steel each year. In practice, much of Essen was run as a company town, and most important of all, Friedrich Alfred developed an excellent relationship with the Kaiser, Wilhelm II (strained sometimes by the ongoing Krupp habit of selling weapons to all comers).Unknown to nearly everyone, though, Friedrich’s main diversion was running an orgy palace, centered on himself, for young men on the island of Capri. German law frowned aggressively on male homosexuality (even though a non-trivial number of high military officers were homosexual, not surprising in a male-dominated culture that denigrated women—similar in some ways to Spartan culture). Exposed by the Italian press, Friedrich Alfred killed himself in 1902, leaving the firm to his teenage daughter, Bertha. With the Kaiser’s needed approval (given that by this point the Krupp firm was regarded as essential to the military readiness of the Reich), in 1906 Bertha married a minor diplomat, Gustav von Bohlen und Halbach, who added “Krupp,” to his name upon the Kaiser’s special permission, and was normally simply called “Gustav Krupp.” He was nearly a caricature of Prussian rectitude and inflexibility, and while Bertha continued to own the firm, Gustav Krupp ran it until the early 1940s, when he gradually slid into senility.That time period, of course, was the peak of German military prowess and output. Manchester relates Krupp’s sales of weapons to governments around the world, including in the Balkan wars and World War I. By the third year of the Great War, Krupp was producing 9,000,000 shells and 3,000 cannon—every month, including monsters like “Big Bertha,” the famous, enormous howitzer. Krupp also produced ships and submarines, and so was involved in nearly every area of war technology. The result of World War I was, unsurprisingly, disastrous to the Krupp firm. Most of the factories were forcibly dismantled and given to the victors, and Gustav Krupp was formally branded a war criminal. The family largely retreated to the Austrian Alps, to the secluded Blühnbach Castle, which they had bought from the Habsburgs after Franz Ferdinand’s assassination—and which is today owned by a little-known brother of the famous Koch brothers. Gustav, though, immediately began working with the government to overturn the effects of the Versailles treaty, and was instrumental in various evasions that allowed German rearmament, although among other indignities he served a year in prison (even though he had been sentenced to fifteen years) after being convicted by a French military court on charges of “inciting a riot,” in which, propaganda gold, several Krupp workers were killed by French soldiers.. Gustav therefore missed the worst era of hyperinflation, and began the recovery of the firm, openly manufacturing civilian trinkets, and investing in the latest equipment, that would ultimately be turned to other purposes—so-called “black production.”As the Nazis rose, Gustav eagerly hitched himself to their star, though he was always more interested in Krupp and Germany than Nazi politics as such. As Hitler overran Europe, Gustav and, increasingly, his son Alfried participated enthusiastically in stripping the conquered territories of equipment and raw materials, accelerating their own production of weaponry to hyper-speed. As Germany’s war fortunes declined, the Krupp works turned more and more to using slave labor, both at home and in plants abroad, and was involved in both the building of extermination camps and their filling. Manchester is somewhat vague on these details other than slave labor, which he exhaustively documents—presumably little is known and much only guessed, maybe in part because of the giant open-air bonfire the Krupp firm held of documents just before the Allies overran Essen. We forget, even with the German penchant for record keeping, how much can be lost in the chaos of war.After the war, Gustav and Alfred were both indicted for war crimes. Gustav was regarded as the chief criminal, although the reality was that Alfred was more responsible, according to Manchester. But it took quite a bit of time for the Allied tribunals to realized that Gustav was incompetent to stand trial, and by the time Alfred was instead brought to trial, the Allied stance had softened, so he avoided the death penalty. Instead, he was sentenced to twelve years, of which he served five, being released as Cold War tensions increased. Manchester is incensed by this, and regards Alfred’s relatively soft treatment as a disgrace. Maybe it was, although Manchester seems far too emotional about it. But perhaps it’s just distance and time that makes it feel that way.Yet, once again, the Krupps rebuilt. The family even came together somewhat—two of Alfred’s four brothers were killed in the war, and a third spent ten years in Russian camps, so perhaps they had to. Alfred, who had a son, Arndt, by a brief first marriage (which his mother had forced him to end, finding the bride too low class), married again, to an erratic, but vivacious, gold digger. That marriage also ended quite quickly, to Alfred’s substantial financial loss. But he was still one of the richest men in the world, or so it seemed. By this point, the firm was not so much involved in coal, steel, or weapons (all those being supposedly forbidden, although they did get back into coal and steel), but more the construction of factories for others around the world. All this was led by Alfred, but also by his chief lieutenant, Berthold Beitz, an insurance executive whom Krupp hand-picked to help him run his enormous concern.According to Manchester, Beitz was the death of the Krupp firm. He says Beitz goosed sales, even as the German postwar “economic miracle” turned sour, by competing on price, contrary to Krupp tradition, and by offering long-term credit at very low interest rates, while borrowing short-term at high interest rates, all the time not understanding what a balance sheet is. That’s a bad set of strategies, and a worse set during a major economic downturn. (Notably, most of this credit went to Warsaw Pact countries or their client states in the Third World, continuing the Krupp tradition of putting profits over country.) Moreover, Manchester ridicules Beitz for affected Americanisms and for his inability to make friends among the “smokestack barons,” and, even more importantly, German bankers. Whatever the reason, the financial vise closed on Krupp, and in 1967 Alfried, in a deal with a massive consortium of German banks and the West German government, turned the firm from a sole proprietorship into a corporation partially owned by a foundation, receiving himself just a large annuity—which he only collected for a few months, promptly dying of lung cancer.What about Arndt, Alfred’s son and only child, you ask? Well, let’s just say that he was shockingly effeminate and a notorious homosexual, who made very clear in the years leading up to the firm’s demise that the last thing he wanted to do was work hard at anything, and even less to work hard at running the family firm. Rather, he wanted to design costume jewelry and sail his yacht, the Antinous II (named after the presumed homosexual lover of the Emperor Hadrian) around European pleasure spots. So he renounced his inheritance even before the firm’s collapse, receiving instead a sizeable annuity—which he outspent, but lived well, mainly in Palm Beach, until dying of cancer in the 1980s, before he reached fifty years of age. (Manchester never quite comes out, pun intended, and states that Arndt was homosexual, but it’s obvious in the book, and openly acknowledged today.)And instead of Beitz, whom Manchester dislikes so much, presiding over the firm, he was thrown out upon the demise of Krupp. But Beitz had the last laugh—he lived to 99, and only died in 2013. Moreover, he was widely honored along the way, for among other reasons by Yad Vashem for saving Jews from death, both by paperwork (similar to Oskar Schindler) and by actually hiding Jews in his house. Manchester does not mention any of this (maybe it was not known in the 1960s), but it seems like Beitz’s star, unlike Alfried’s, rose after the publication of this book.In general, I liked "The Arms of Krupp." I could have used more information about the specifics of Krupp industry, not a commonly covered topic, and a lot less about World War II, a topic that has been covered endlessly. The earliest Krupps worked in steel, and their comparative advantage was quality and innovation. That steel became the basis of railroad wheels (and guns), as well as other steel implements. By the end, though, as shown in a chart provided by Manchester, Krupp dealt in chemicals, refineries, rubber, real estate and much more. We are given no idea, though, of how the firm got from focusing narrowly on steel to be a conglomerate. So I would have liked more industrial history and less war history. But then, I’m in the manufacturing business, so that may be a minority viewpoint.A common complaint at the time this book was published was that Manchester was biased against the Germans as a people. It is hard to tell if that’s true, and if he was, it was understandable—the war, after all, was very much a living memory in 1968, and Alfried Krupp had largely escaped justice, which annoyed Manchester. I am no expert, but I suspect that today there is much more evidence of the bad behavior of Alfried Krupp during the war, since documentation of the Holocaust really only became a focus in the 1970s. Still, Manchester’s discussion of slave labor becomes repetitive—half the book, more or less, is spent on the Nazi era, and that could have been cut down. In fact, much of the book could have been cut down. Nonetheless, Manchester’s writing is generally excellent and compelling, which is why he was so successful as a historical popularizer with academic pretensions, and this book is a worthy entry in that genre.

Few Americans understand that Hitler and the Nazi Party were 99% funded by Germany's 25 richest industrialists and they were motivated solely by profit. Hitler in return for 4 million German Marks agreed to ban all unions in Germany. The industrialists over the succeeding 10 years obtained ownership of captured mines and a slave labor force in the occupied countries as well as massive government contracts for the creation of the German war machine. After the war, Alfried Krupp was convicted of war crimes having caused the deaths of tens of thousands of slave laborers in his factors and imprisoned but later a sympathetic American pardoned Krupp and released all his assets so as of 1956, Krupp was the wealthiest man in all of Europe.This book provides an excellent review of how the Krupp family got into the armaments industry and how they perfected the arms race by pitting one country against the other with each new generation of canons. The breadth of the Krupp operations has been surpassed by that of the Koch brothers, but the Krupp family paved the way and doubtless inspired many other brigands of industry.

LOOOOOOOONG unabridged William Manchester audio book. Now a little dated (2017). He's certainly advocating a point of view through his work - though it is unparalleled in mapping the fortunes of the Krupp dynasty and business with the rise in German militarism from Bismarck on. (Minus one star for its being a little dated and a bit one sided - esp about the WW2 period.)

When I was growing up my mother had this book on the coffee table in the living room. I didn't have any interest in WWII at the time, so it sat, unread by me, at the time. I had no idea how thrilling and threatening this story was.William Manchester is an astonishing writer, and the story of the Krupp family is equally astonishing and terrifying. There is no question in my mind that the seductive power of weapons led both Kaiser Wilhelm and Adolph Hitler to make war. And the fact that the Krupps placed no limit on their industrial growth contributed in the same way to both world wars.I read this book with my laptop computer close by, so I could search for images of certain references made by Manchester. For example, no one could do justice to the Krupp family's private cemetery on the grounds of their family estate in Essen. But the book itself is enough to make you wonder "what if?"... what if both leaders, Wilhelm and Hitler hadn't had this powerful family behind them to use to destroy Europe twice.

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Sabtu, 20 Januari 2018

PDF Ebook , by Lisa Donovan Louise Pascale

PDF Ebook , by Lisa Donovan Louise Pascale

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, by Lisa Donovan Louise Pascale

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File Size: 9097 KB

Print Length: 224 pages

Publisher: Shell Education; 1 edition (October 1, 2012)

Publication Date: October 1, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01J8WC1MU

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This book has arrived at a time when teachers need it most. Schools across the country are currently focusing all their efforts on teaching to meet the new Common Core Standards. Integrating the Arts Across the Content Areas re-assures teachers that they can meet the standards and teach creatively at the same time, all the while addressing needs for differentiated instruction and thematic learning. Every classroom teacher should read this book cover to cover to find great solutions to meeting standards and also the needs of every child in their classroom. Focusing on how arts strategies can meet curricular needs, the book is divided logically into seven chapters, six of which focus on individual art forms (poetry, music, storytelling, theater, visual arts and movement)and adaptations for their use in the classroom. The seventh chapter addresses planning and assessment, key to the success of an integrated arts classroom. Each chapter includes sidebars with fabulous resources, ways to meet the standards and activities to prepare the teacher to teach in this "new" way.If we are to teach our students 21st century skills, we can no longer teach to the test. By the time the test is taken, new knowledge and skills will be needed to succeed in our rapidly changing world. But by using arts strategies to teach in all content areas, we are also teaching focus, creative thinking, problem solving, and collaboration. Students learn how to make connections across areas of study, and new ways to show they know what they know. These are skills that our students will have to have in this century to survive. Donovan and Pascale have given teachers a highly readable, practical text for teachers who haven't given up on the art of teaching. I would go so far as to say that if the lessons of this book were employed in every classroom across the nation, we would see a dramatic increase in success among the students who usually fail, and an increase in productivity and creativity in all students.

I love this book. It provides great activities for integrating arts in the elementary curriculum. The Table of Content shows at the end Appendix A thru E from pages 197 - 210. However the book ends at page 200 and rest of the pages are simply missing. So I am not able to see the references on page 210. I already wrote all over the book now and I do not want to return it but disappointed.

This book is full of great ideas for integrating the arts into various academic areas. The ideas are written in a clear format and can be used in an instant. Each main area of art is included. I have ordered numerous copies to share with mentoring teaching artists who work with classroom teacher training.

Well written, reader friendly, and filled with practical ideas. I also appreciate the arts advocacy and literary arts sections being included. I'm using this as a text for a university course I teach because it's affordable and concise, and I want my students to spend more time creating than reading.

If you're a teacher and you need methods on integrating content areas, get this book. Cheap and many great strategies to get students engaged in lessons.

I don't like art, but I had to get this for an art class. It helped me to find the importance of art in our lives.

Great Book!

I purchased this book for a STEM class I was in. Great book with many different activities and easy to read.

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Sabtu, 13 Januari 2018

Download PDF Out of this world; Across the Himalayas to forbidden Tibet

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Download PDF Out of this world; Across the Himalayas to forbidden Tibet

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Out of this world; Across the Himalayas to forbidden Tibet

Famed travel writer, Lowell Thomas, Jr. takes the reader with him and travels across the Himalayas to Tibet. You will experience a world before technology has taken hold.

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Product details

Hardcover: 320 pages

Publisher: Greystone Press: NY (1950)

Language: English

ASIN: B0007DMM38

Package Dimensions:

8.3 x 5.3 x 1.1 inches

Shipping Weight: 1.2 pounds

Average Customer Review:

4.6 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#1,409,148 in Books (See Top 100 in Books)

Out of This World: Across the Himalayas to Forbidden Tibet, Lowell Thomas, Jr. I read this book about 60 years ago, as a young lad, and enjoyed it thoroughly at the time. LT, Jr. was also a lad at the time he wrote the book. The book was thoroughly enjoyable , fascinating and highly exciting. When I noticed that a Kindle version was available, I decided that I might enjoy re-reading this delightful book. Though out-dated by world events, the book is still a great read, and I recommend it to all those seeking to read true adventure books.Nate Lerner

Interesting book, but more info than I needed - still worth the read. Does illustrate the sad end to Tibetan independence.

Have only made it 1/2 way through this book, but it's fascinating! The 2 Thomas's descriptions are well done and I keep wondering what challenges they will meet next.

The material that the Thomas's give the reader in this book is perhaps out-of-date, but most fascinating at the least! It gives us the description of what Tibet was like in the middle of the 20th century . . . and perhaps help us understand the situation that Tibet is in today. Certainly a good read!

I've only received the Lowell Thomas book. It's just as good as when I first read it years ago. It was in excellent condition

The book was recommended in "Seven Years Across Tibet". I am enjoying learning through Lowell Thomas' eyes.

Page turner.

Very engaging read!

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Minggu, 17 Desember 2017

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Product details

File Size: 17351 KB

Print Length: 384 pages

Publisher: Sasquatch Books; 3 edition (November 20, 2012)

Publication Date: November 20, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B007WL6GJY

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#373,074 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I usually don't take the time to review every book I buy. But I had to say something about this one. I'm a professional gardener and I find this book to be my favorite. There are more details for specific plants in other books, but none of the books I have, including the horticulture society ones, connect all the dots of essential pruning techniques in a way that's memorable and meaningful. Some say she's redundant and she is; but I get why she reiterates things, it's an effective teaching tool. Something about the way Cass presents and reiterates things makes the principles easy to remember because you don't necessarily have to remember specific techniques for specific plants. Instead, she's actually teaching us how to apply techniques based on the nature of the plant itself. It really encourages us to pay attention and develop a relationship with plants rather than becoming an academic subject matter expert. Consequently, anyone can learn to correctly prune from this book. And the world is certainly a better place because of that. Thanks Cass.

I rarely if ever review books (I need to do better) but I have to take a minute to recognize this book. I'm an ISA Certified Arborist with lots of knowledge about trees and shrubs. Cass Turnbull has created a master piece. She simplifies complex topics, writes with an upbeat, engaging style, and includes clear illustrations. Fundamentally she has an excellent grasp of plant biology, reactions to various cuts, and why/where pruning fits into the grand scheme of things.I love this book so much that I give a copy to every employee when I begin teaching him or her how to prune. If friends and colleagues express any interest in learning to prune, I tell them about Cass.Sadly Cass is no longer with us. But I suspect this book will live on for some time. It's just that good.

A very nice guide to pruning and some other gardening concepts. Very good information, presented in a balanced way, with an engaging voice. My one complaint is that so much of the book is taken up by comments about the ways people do things incorrectly. I get it, most people do stupid things with gardening, and more so with pruning specifically. I'm a professional gardener, and see plenty of it every day. Overall a great guide, I would recommend it for beginners looking to understand the basics and more experienced people looking for tips about pruning specific things. However it could probably be about 1/4 shorter without mentioning at every turn the wrong way something is done when she instructs on a superior way to do something.

I enjoyed reading this book. It is smooth and easy especially for beginners. It gives a big picture about pruning, however, it does not delve into details much. Illustrations are helpful but sometimes not enough (eg grape pruning). Overall I recommend this book but it needs to be supplemented with more detailed sources.

I have 5+ pruning books; none help like this one. I had met Cass at a Seattle Garden show many years ago. She finally helped me to realize it's not WHEN to prune but to prune by type of shrub. I have gone through all editions and now will use this 3rd edition as my diary for pruning notes. Especially with Cass gone, which is still hard to believe. Rest in peace, Cass.

Down to earth pruning instructions. For nearly every pruning book out there, you will be given conflicting advice. It's nice to have Cass to say "Who cares?" Prune, but understand the consequences of what you're doing if you do it out of season or badly. For me it took the panic away that I was going to kill a plant and allowed me to be a little more understand of what was going on. A very good read.

This is a wonderful book for anyone who needs to understand how to prune.It starts off with giving you a foundation for understanding pruning. Why is it important? What is its purpose? How do plants decide where to put out new growth? What are the different types of cuts? When should you prune? They aren't long sections, but they are thorough enough to give you a solid introduction.After that, she turns to the individual plant families and describes in detail the specifics for each.She also uses a bit of humor here and there to keep the book interesting. It's not dry reading, which is quite the accomplishment.I've found it immensely helpful already and I've only had it a couple of weeks. This is staying on my shelf for years to come.

It's too bad Cass Turnbull is no longer with us. Her insight and wonderful sense of humor regarding pruning should not be lost on any gardener. If you are just learning or a seasoned gardener her advice is invaluable. Buy this book and use it until it's worn out and you have to buy another one. Hoping it never goes out of print.

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Jumat, 08 Desember 2017

Download PDF Easy Origami, by Didier Boursin

Download PDF Easy Origami, by Didier Boursin

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Easy Origami, by Didier Boursin

Easy Origami, by Didier Boursin


Easy Origami, by Didier Boursin


Download PDF Easy Origami, by Didier Boursin

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Easy Origami, by Didier Boursin

Review

24 models, some of which are original and actually live up to the title's promise... Novices in particular may be drawn to this collection by its unusually clean design and bright, inviting colors. (John Peters School Library Journal)Good for beginners... all of them are fun to make. (Lynn Kalber Palm Beach Post 2006-01-19)Using folds and an occasional scissor snip, clear step-by-step directions and two-color guides printed on a crisp white background demonstrate 24 paper creations.... Models are rated for difficulty while color photos of the finished products offer additional encouragement. (School Library Journal)The book has excellent production values with sharp clear photographs of the projects and good step-by-step diagrams. It will be a very popular item in school and public libraries. (Lorraine Douglas, former Children's Librarian, Win Canadian Materials, Vol. 12, No. 19)This book has an eclectic mix of paper arts which include kirigami, origami and modular origami. The easy models are quite easy and will appeal to young children; however, the harder models will be beyond their reach. It is a good beginners book for adults or older children. (Origami Resource Center)

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About the Author

Didier Boursin is an origami artist and instructor. A paper folder for 20 years, he is the author of several best-selling guides to this ancient art form.

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Product details

Age Range: 7 - 13 years

Grade Level: 2 - 8

Paperback: 64 pages

Publisher: Firefly Books (September 3, 2005)

Language: English

ISBN-10: 1552979393

ISBN-13: 978-1552979396

Product Dimensions:

7.8 x 0.2 x 10.2 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#314,614 in Books (See Top 100 in Books)

Great book. The instructions are very easy to follow. I found a pattern for a vase that I had been looking for and was very pleased with the instructions. There were beginners patterns and also more advanced ones.

I got this for my 21 year old nephew and I to play with. We had a miserable time. The diagrams are incomplete and the directions are sparse. I've taught origami to my 7th grade students and had no troubles, but this is not the book for you.

A VERY VERY GOOD BOOK TO START WITH....HIGHLY RECOMMEND FOR ALL THE STARTERS THAT LOVE TO DO ORIGAMI...AND STARTING OFF WITH THE TINY STUFF IS ALSO CUTE...I CAN ALREADY MAKE STARS, DIAMONDS, HEARTS, NINJA STARS, SHIRTS SKIRTS, AND MANY MORE

I was expecting many creative things to make, but it's just an origami book. Nothing special. Some Instruction are not clear for little kids

Our children (ages 6 and under) are homeschooled, and we checked this book out from the juvenile section of our library for our study on Japan. We loved it so much that we are planning to buy it very soon from Amazon.com (with our next order). I love the way it explains how to make things. There is a very good explanation (with both drawings and pictures) at the beginning of the book showing how to make all the various basic folds you need to know, as well as the meaning of symbols used throughout the book. Then there are pages of things you can make, and they are divided by difficulty level -- very easy, easy or more challenging. Now, my girls are young and might not have the patience to do much origami yet, but it would be a great book if they were just a bit older. They loved the tree, butterfly and airplanes I made them though. I plan to buy this book and add it to our personal home library, so we can use it more often. You can use the "search inside" feature to see examples of the pages in this book. We loved this book and we hope you will enjoy this book also.

I needed to do some origami for a craft project with kids. I found the instructions in this book the easiest to understand and get started with quickly (from looking at several books). Lots of fun items to make. Highly recommended. (In fact, this might be my first amazon review ... I am so grateful for this help from this book that I wanted to recommend it.)

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Kamis, 30 November 2017

Download Ebook

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File Size: 1062 KB

Simultaneous Device Usage: Unlimited

Publication Date: March 20, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07PVKSJNL

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Amazon Best Sellers Rank:

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Minggu, 05 November 2017

Get Free Ebook , by John Sandford

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, by John Sandford

Product details

File Size: 3968 KB

Print Length: 204 pages

Publisher: G.P. Putnam's Sons (May 3, 2011)

Publication Date: May 3, 2011

Language: English

ASIN: B004WB1A8Y

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Amazon Best Sellers Rank:

#366,941 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Don't read this series unless you don't mind getting (yet another) addiction! Sandford does a masterful job of creating Lucas Davenport into a character that I can see, hear and feel as a real person. The mysteries are not simple mysteries either. Good!Candis

I had read all of these years ago, and decided to add them to my collection of Kindle books so I could reread them anytime I wanted. Glad I did! I didn't remember them at all, and enjoyed them just like I was reading them for the first time. When I read a real page turning book, often I read so fast I need/want to reread it anyway, and that's how I feel about all of the prey books. I just ordered the next five in the series, and I'm sure I'll wind up with all of them (the entire series) on my Kindle.

5+ Stars. John Sandford is a must buy, must read author. Being able to purchase sequential stories as a bundle is a great space saver. Plus the ebooks do not wear out like paperbacks.I will re-read these stories and always look forward to, pre-order when possible, new works by this author.

Very well written. Great character development. Books are lengthly and not predictable in endings. Fortunately this author is prolific.

Lucas Davenport is one of the great characters of modern fiction. Sanford's spare, direct writing style perfectly matches the no-nonsense Davenport and ranks him among the great detectives of all time. While there are stronger and weaker books in the series, I can heartily recommend them all as a great winter read.

Here's the problem: addiction! I found Lucas Davenport a few months ago, and now I'm on book 13. TOO much fun! Thanks Mr. Sanford!!

Sandford's five novels were overall very well done. He does a good job of building characters around plausable plots. One can "feel the pain" of Lucas Davenport and his relationship struggles. Yet Sandford still maintains control of the pacing of these novels so that we don't lose interest in the overall plot.

Love Lucas Davenport

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