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, by Alan Ayckbourn
Get Free Ebook , by Alan Ayckbourn
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Product details
File Size: 751 KB
Print Length: 189 pages
Publisher: St. Martin's Press; First edition (April 28, 2015)
Publication Date: April 28, 2015
Language: English
ASIN: B00URTM4JY
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Sir Alan Ayckbourn has written and produced over seventy plays, more than 40 which have been performed in the West End and ten on Broadway. This gives the British writer of Relatively Speaking and The Norman Conquests an edge over all of the other playwriting books, not only because he is so prolific, but because he approaches this book as a writer who spends more than half of his time directing and has vast production experience with his plays and others. Ayckbourn wrote his first play at the age of ten and has lived around theatre since he was seventeen, giving him a lifetime of hands-on knowledge that is valuable and makes for a fun and informative reading experience.With his vast knowledge of theatre, Ayckbourn's approach in The Crafty Art of Playwriting isn't just for the writer; he explains everything by dividing half of the book into writing advice, the other half into everything else involving a play, from directing, casting and design to the rehearsal process and how to deal with producers. The result is that this book isn't just about playwriting but about the entire process from creating a play to previews and press night during a production. Throughout the book, which is written with a slightly humorous style, Ayckbourn gives advice though what he calls his "obvious rules" such as: "Obvious Rule No. 2: Never start a play without an idea," "Obvious Rule # 16: Never include a character with no real function," and, "Obvious Rule # 46: Never cast a celebrity." Ayckbourn also stresses in "Obvious Rule # 22: You can never know too much about your characters before you start," which he follows by mentioning that he takes about a year of thinking and planning before he writes a word of dialogue (this is a bit long for me, but every writer is different).The organization and style is very clear, practical and to the point, and after a brief discussion on comedy versus drama, he gets to the point: "Obvious Rule # 3: If you don't have the initial inspiration, put down the pen, put the pencil back into the jar, switch off the computer and go dig the garden instead." Guiding a writer that does have an idea, Ayckbourn covers the essentials but does so with very handy tips and practical advice rather than spending time creating charts and lists of the elements of a play; there are in-depth discussions about plot or rising action, simply advice on what you should consider for character and why you need to do this. He appeals to common sense rather than requirements, knowing that if all that he discusses are applied, the requirements will fall into place.While this is not a great "How-to" book for beginners, those that have read the standard guides will find this a VERY handy companion book in a playwriting class or for their collection.
There are dozens of books out there on playwriting and about half that number on directing. Unfortunately for us, neither Shakespeare, Chekhov nor Ibsen wrote books on how to write a play. As a result, virtually all the authors of books about playwriting are academics who have never written a commercially produced play. One has to question the value of such people's advice when dealing with the practical realities of the professional theatre. Sir Alan Ayckbourn has changed all that. He is the author/director of (at this writing) a whopping 69 plays, a substantial portion of which have been critical and/or commercial successes on London's West End and New York's Broadway as well as being translated into numerous languages and produced throughout the world. The first part of the book is about the craft of playwriting. Ayckbourn gives his advice in a straightforward series of "obvious rules." First he states the "obvious rule" and then illustrates it with an example, usually drawn from his own work. Some of my favorites were, "Obvious Rule No. 2: Never start a play without an idea." "Obvious Rule of No. 16: Never include a character with no real function." "Obvious Rule Number 14: At least 50 percent of your play is going to be visual." "Obvious Rule No. 22: You can never know too much about your characters before you start." Ayckbourn says that he takes about a year of thinking and planning before he actually writes a word of dialogue. I found this section of the book extremely valuable. Any playwright or would-be playwright would profit from reading it.To my surprise, I found the second part of the book, which deals with direction, even more valuable than the first part. Aside from Harold Clurman's ON DIRECTING, I cannot think of another book about directing that has been written by a successful director. Clurman's book is very good about reading a script and analyzing it and giving an overall view of how rehearsals are conducted. Most books on directing provide this information. But what sets Ayckbourn's book apart is that he talks mostly about dealing with actors. To the best of my knowledge, no one has written about this aspect. He tells how to handle fragile egos, how to deal with rivalries, how to state your criticism and the appropriate times to deal with certain issues. He also gives good advice on conducting auditions and what personality traits to look for when casting. Advice like this has long been needed.The book provides valuable information, but what makes it truly brilliant is the charming way it is written. I found it delightful from start to finish, not to mention inspirational. I cannot recommend this book highly enough to any theatre professional, not just writers and directors, but actors, designers and technicians as well. Five stars plus.
This is one of the best books on playwriting I have read. Much better than the set texts for the Oxford online course I took. Much more practical, and less of the inane and often arguable theoretical advice in others. Ayckbourn has a pleasant writing style and actually does something to encourage creativity.
Ayckebourne is a master craftsman in the art of playwriting and he gives the reader some of his best techniques in the first half of the book. Being an entertaining writer the book is also a good read for anyone who just loves attending theatre and wants to learn more about the process of theatre. The second half of the book is on directing. It was a little less interesting for me but it is still a good insight into what a director does and a fun read. Many people don't understand the role of a director in the production of drama. Highly recommend.
Amazing insight on the writer's life from the most prolific playwright living. I HIGHLY RECOMMEND this book for anyone pursuing playwriting or screenwriting!
I teach with this book in an MFA program -- clear, funny, smart, and students love it.
I purchased this for a screenwriting course and it was pretty good. I'm no playwright but this was a text that was both valuable in terms of the amount of information but also in it's transmission of said information; it was an easy and enjoyable read.
Light weight, anecdotal chat rather than substantive material. If you are looking for some real help in writing a play, this is not it.
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